Jerry and I always felt that the character was enjoying himself. He was having fun: he wasn’t taking himself seriously. It was always a lark for him, as you can see in my early drawings.

And I agreed the feeling of action as he was flying or jumping or leaping – a flowing cape would give it movement. It really helped, and it was very easy to draw.

In the beginning, we had a great deal of freedom, and Jerry wrote completely out of his imagination – very, very freely. We even had no editorial supervision to speak of, because they were in such a rush to get the thing in before deadline. But later on we were restricted.

I had to produce a complete page – or two or three – in one day. I took a lot of pride in my work, and I hated to do a mediocre job. Evidently, some of the writers enjoyed my work best of all for that very reason.

I did all the work at the beginning up until the point where I couldn’t handle the increasingly heavy art production burden alone. I needed, and got, assistance.

In this drawing we just let our imagination run wild. We visualized Superman toys, games, and a radio show – that was before TV – and Superman movies. We even visualized Superman billboards. And it’s all come true.

I think initially we wanted to use the first letter of the character’s name. We thought S was perfect.

In this drawing we just let our imagination run wild. We visualized Superman toys, games, and a radio show - that was before TV - and Superman movies. We even visualized Superman billboards. And it's all come true.

Jerry and I always felt that the character was enjoying himself. He was having fun: he wasn't taking himself seriously. It was always a lark for him, as you can see in my early drawings.

Jerry picked up the technique of visualizing the story as a movie scenario; and whenever he gave me a script, I would see it as a screenplay. That was the technique that Jerry used, and I just picked it up.